frequency separation affinity photo ipad

Overall skin tone and continuity are vital, especially for a larger piece where more than one image will be printed. Translating this into retouching can be used to great effect when/if required.įrom here I assess overall colour and adjust it to achieve the feel that I want to express. A good tip for learning how to do this is to have a look at a beauty technique called “contouring”. If I want to create a more “sculptural” feel to the piece then I may look at dodging and burning areas of the skin. Sometimes I may give the make-up colour a boost or slight hue shift if it helps the entire image come together. On fashion jobs I’m usually blessed by great make-up artists so I don’t have to do any work on fixing lips, eyeliner etc. This allows me to work on each independently to the other, removing any blemishes or stray hairs, then to deal with any areas of unwanted colour variance. Then I’ll assess the texture and tone of the skin usually via frequency separation method. This gives me a quick and easy way to see how far I’ve pushed an image from its initial state. First I’ll duplicate the base image layer and pop it on top of any layers to follow.

Normally each image is individually assessed however the general format usually follows something along these lines. Can you talk us through your process when retouching skin? I’m a big believer in the mantra that the beauty is in the imperfections, real life is imperfect so I let that live in my photographs. If it looks retouched then it’s failed, if it looks like it might have been retouched then it’s also failed. What’s vital to you when retouching skin on an image?Ī natural appearance. Behind-the-scenes of Mark’s ‘Eastern Masters’ shoot.

Frequency separation affinity photo ipad